Postmodernism - selected bibliography (the strongest emphasis in this bibliography is music, but it also includes other arts, society, politics, religion, and education.) Alexander, Jeffrey and Steven Seidman, eds. Culture and Society: Contemporary Debates. New York: Cambridge Univ. Press, 1990. Allen, Diogenes. Christian Belief in a Postmodern World. Westminister: John Knox Press, 1989. Allen, Donald and George F. Butterick. The Postmoderns: the New American Poetry Revised. New York: Grove Press, 1982. Attali, Jacques. Noise: the political economy of music. tr. B. Massumi. Minnesota University Press, 1985. Attebery, Brian. Strategies and Fantasy. Bloomington: IU Press, 1991. Bailey, Derek. Improvisation. Ballantine, C. Music and its Social Meanings. NY: Gordon and Breach, 1984. Battcock, Gregory. Breaking the Sound Barrier. Dutton. Bauman, Zygmunt. Intimations of Postmodernity. London: Routledge, 1992. Begiebing, Robert J. Toward a New Synthesis: John Fowles, John Gardner, Norman Mailer. Ann Arbor: UMI Research Press, 1989. Benamou, Michael and Charles Carmello, eds. Performance in Postmodern Culture. Madison, WI: Coda Press, 1977. Berger, Maurice. Endgame: Strategies of Postmodernist Performance. New York: College Art Gallery, 1984. Birringer, Johannes, H. Theatre, Theory, Postmodernism. Bloomington: IU Press, 1991. Born, Georgina. Rationalizing Culture. Berkeley: UCal Press. an anthropological study of IRCAM Boyne, Roy and Ali Rattansi, eds. Postmodernism and Society. New York: St. Martin's Press, 1990. Brantlinger, Patrick. Crusoe's Footsteps: Cultural Studies in Britain and America. New York. 1990. Bronson, A.A., and Peggy Gale, eds. Performance by Artist. Toronto: Art Metropole, 1979. Buchloh, Benjamin H. D., Serge Guilbaut, and David Solkin, eds. Modernism and Modernity. (The Vancouver Conference Papers.) Halifax, N.S.: The Press of the Nova Scotia College of Art and Design, 1983. Calinescu, Matei. Faces of Modernity: modernism, avant-garde, decadence, kitsch, postmodernism. Durham: Duke University Press, 1987. Connor, Steven. Postmodernist Culture: an introduction to theories of the contemporary. Santa Cruz: Blackwell Press, 1989. (has big bibl.) Conte, Joseph M. Unending Design: The Forms of Postmodern Poetry. Ithaca, NY: Cornell Univ. Press, 1991. Corbett, John. Extended Play. Durham NC: Duke University Press. Corlett, William. Community Without Unity: a politics of Derridian extravagance. Durham, N.C.: Duke University Press, 1989. Coughie, Pamela. Virginia Woolf and Post-Modernism: literature in quest and question of itself. Urbana: U. of Ill. Press, 1991. DeLio, T. Circumscribing the Open Universe. Lanham, MD: Univ. Press of America, 1984. DiGaetani, John L. A Search for a Post-Modern Theatre: interviews with contemporary playwrights. NY: Greenwood Press, 1971. Docherty, Thomas. After Theory. New York: Routledge, 1990. Duckworth, William. Talking Music. NY: Schirmer Books, 1995. Dupuy, Jean, ed. Collective Concsiousness: Art Performance in the Seventies. New York: Performing Arts Journal Publications, 1980. Ellul, Jacques. The Technological Bluff. Grand Rapids: Eerdmans Publ., 1989. Farrell, Isabel and Kenton Mann. Music Unlimited, A Performers Guide to New Audiences. NY: Harwood Academic Pubs., 1994. Feldman, Morton. Essays. Beginner Press. Fish, Stanley. Doing What Comes Naturally: change, rhetoric and the practice of theory in literary and legal studies. Durham: Duke Univ. Press, 1989. Fish, Stanley. Is There a Text in this Class? The Authority of Interpretative Communities. Cambridge MA: Harvard Univ. Press, 1980. Fleming & Duckworth. John Cage at 75. Bucknell U Press. Foster, Hal, ed. The Anti-Aesthetic: Essays on Post-modern Culture. Port Townsend, WA: Bay Press, 1983. Gablik, Suzi. Has Modernism Failed? New York: Thames and Hudson, 1984. Gaggi, Silvio. Modern/postmodern: a study in twentieth-century arts and ideas. Philadelphia: University of Pennsylvania Press, 1989. Gilmour, John. Fire on the earth: Anselm Kiefer and the postmodern world. Philadelphia: Temple University Press, 1990. Goldberg, R. Performance: Live Art from 1909 to the present. NY: H. Abrams, 1981. Graff, Gerald. Literature Against Itself: literary ideals in modern society. Chicago: UC Press, 1979. Griffin, David Ray. God and Religion in the Postmodern World: essays in postmodern theology. New York: St Martin's Press, 1990. Guilbaut, Serge (trans. Arthur Goldhammer). How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. Chicago: University of Chicago Press, 1983. Hassan, Ihab and Sally, eds. Innovation/Renovation: New Perspectives on the Humanities. Madison, WI: Univ. of Wisconsin Press, 1983. Hassan, Ihab. The Dismemberment of Orpheus: towards a postmodern literature. Madison: Univ. of Wisconsin Press, 1982. Heller, Agnes. Can Modernity Survive? Berkeley: University of California Press, 1990. Herdeg, Klaus. The Decorated Diagram: Harvard Architecture and the Failure of the Bauhaus Legacy. Cambridge, MA: MIT Press, 1983. Hertz, Richard, and Norman Klein, eds. Twentieth Century Art Theory: urbanism, politics and mass culture. Englewood Cliffs, NJ: Prentice-Hall, 1990. Hertz, Richard, ed. Theories of Contemporary Art. Englewood Cliffs, NJ: Prentice-Hall, 1985. Hoesterey, Ingeborg, ed. Zeitgeist in Babel. Bloomington: Indiana Univ. Press, 1991. Hutcheon, Linda. The Politics of Postmodernism. London and New York: Routledge, 1989. Hutcheon, Linda, ed. A Postmodern Reader. Jameson, Fred. Postmodern, or the culture of logic of late capitalism. Durham: Duke Univ. Press, 1991. Jencks, Charles. What is Postmodernism? New York: St. Martin's Press, 1989. Johnson, Tom. The Voice of New Music: New York City 1972-1982. Eindhaven: Apollohuis, 1989. Kahn, Douglas and Diane Neumaier, eds. Cultures in Contention. Seattle, WA: Real Comet Press, 1985. Kahn & Whitehead. Wireless Imagination. MIT Press. Kaplan, E. Ann, ed. Postmodernism and its Discontents: theories and practices. New York: Verso, 1988. Kaplan, E. Ann. Rocking Around the Clock - Music Television, Post Modernism and Consumer Culture. New York: Routledge, 1992. Kaplan, M. The Arts: a social perspective. Cranbury, NJ: Associated University Presses, 1990. Kariel, Henry S. The Desperate Politics of Postmodernism. Amherst: University of Massachusetts Press, 1989. Kearney, Richard. The Wake of Imagination: toward a postmodern culture. Minneapolis: University of Minnesota Press, 1988. Keeling, R. ed. Women in North American Music: six essays. Bloomington, IN: The Society for Ethnomusicology, 1989. Kerman, Joseph. Contemplating Music: Challenges to Musicology. Cambridge, MA. 1985. Klinkowitz, Jerome. Structuring the Void: the struggle for subject in contemporary American fiction. Durham: Duke Univ. Press. 1992. Kramer, Lawrence, 1946-. Classical music and postmodern knowledge. Berkeley: University of California Press, 1995. Krauss, Rosalind. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge MA: MIT Press, 1985. Kreiswirth, Martin and Mark A. Cheetham. Theory Between the Disciplines: authority/vision/politics. Ann Arbor: University of Michigan Press, 1990. Lahr, J. Automatic Vaudeville: essays on star turns. NY: Limelight, 1985. Lander & Lexier - Sound by Artists - Art Metropole Landy, Leigh. What's the Matter With Today's Experimental Music? Organised Sound Too Rarely Heard. NY: Harwood Academic Pubs., 1991. Leppert, Richard and Susan McClary, eds. Music and Society: The Politics of Composition, Performance and Reception. Cambridge. 1987. Lipman, Samuel. Arguing for Music - Arguing for Culture. Boston: American Council for the Arts in association with D.R. Godine, 1990. Lipman, Samuel. Music After Modernism. New York: Basic Books, 1979. Lipman, Samuel. The House of Music: Art in an Era of Institutions. Boston: D.R. Godine, 1984. Loeffler, Carl E., ed. Performance Anthology: Source Book for a Decade of California Performance Art. San Francisco: Contemporary Arts Press, La Mamelle, Inc., 1980. Lovejoy, Margot. Postmodern Currents: art and artists in the age of electronic media. Ann Arbor MI: UMI Research Press, 1989. Lyotard, Jean-Francois. The Postmodern Condition: a report on knowledge. New York: Manchester University Press, 1984. Mache, Francois-Bernard. Music, Myth and Nature, or The Dolphins of Arion. Tr. by Susan Delaney. NY: Harwood Academic Pubs., 1993. Macherey, Pierre. A Theory of Literary Production. London: Routledge, 1978. Marcuse, Herbert. One Dimentional Man. Boston: Beacon Press, 1964. Marion, Jean-Luc. God Without Being. tr. Thomas A. Carlson. Chicago: Univ. of Chicago Press, 1991. Martin, Randy. Performance as a Political Act: The Embodied Self. New York. 1990. McCaffery, Larry, ed. Storming the Reality Studio: a casebook of cyberpunk and postmodern science fiction. Durham: Duke Univ. Press, 1991. McClary, Susan. De-tonations: narrative and significance in "Absolute" music. Hanover, NH: University Press of New England, spring 1995. McClary, Susan. Feminine Endings: Music, Gender and Sexuality. Minneapolis. 1990. McHale, Brian. Postmodernist Fiction. London: Methuen, 1987. Mertens, Wim. American Minimalist Music. Metaphor - a Musical Dimension. Ed. by Jamie C. Kassler. NY: Harwood Academic Publs., 1994. Monelle, Raymond. Linguistics and Semiotics in Music. NY: Harwood Academic Pubs., 1992. Music - Cultures in Contact - Convergences and Collisions. Ed. by Margaret J. Kartomi and Robyn E. Smith. NY: Harwood Academic Pubs., 1994. Norris, C. ed. Music and the Politics of Culture. London: Lawrence and Wishart, 1989. Norris, Christopher. What's Wrong with Postmodernism: critical theory and the ends of philosophy. Baltimore: Johns Hopkins University Press, 1990. Nyman, Michael. Experimental Music. Schirmer. Oliveros, Pauline. Software for People. Orr, Leonard, ed. Yeats and Post-Modernism. Syracuse, NY: Syracuse Univ. Press, 1991. Palmer, R. The Sound of History: songs and social comment. NY: Oxford Univ. Press, 1988. Parloff, Marjorie. Poetic License: essays on modernist and postmodernist lyric. Evanston, IL: Northwestern Univ. Press, 1990. Pefanis, Julian. Heterology and the Postmodern: Bataille, Baudrillard, and Lyotard. Durham: Duke University Press, 1991. Perloff & Junkerman. John Cage: Composed in America. Univ. of Chicago Press. Perloff, Marjorie, ed. Postmodern Genres. Norman OK: University of Oklahoma Press, 1988. Raynor, H. Music and Society. NY: Taplinger, 1978. Risatti, Howard, ed. Postmodern Perspectives: issues in contemporary art. Englewood Cliffs, N.J.: Prentice Hall, 1990. Robbins, Jill. Prodigal Son/Elder Brother. Chicago: Univ. Press, 1991. Rose, Jon. The Pink Violin. New Music Australia. Rose, Margaret A. The Post-Modern and the Post-Industrial. Cambridge: Cambridge Univ. Press, 1991. Rosen, Charles, 1927-. The frontiers of meaning: three informal lectures on music. 1994. Roseneau, Pauline Marie. Post-modernism and the Social Sciences. Princeton NJ: Princeton Univ. Press, 1992. Roth, Moira. The Amazing Decade: Women and Performance Art in America 1970-1980; A Source Book. Los Angeles: Astro Artz, 1983. Rouner, Leroy, ed. On Community. Notre Dame: University of Notre Dame Press, !991. Scharlemann Robert P. The Reason for Following Christology and the Ecstatic I. Chicago: Univ. of Chicago Press, 1991. Silverman, Hugh J., ed. Postmodernism: philosophy and the arts. New York: Routledge, 1990. Shapiro, Gary, ed. After the Future: postmodern times and places. Albany: State Univ. of New York Press, 1990. Slobin, Mark. Subcultural Sounds: Micromusics of the West. Hanover, 1993. Small, C. Music, Society, Education: an examination of the function of music in western, eastern and African cultures with its impact on society and its use in education. NY: Schirmer Books, 1977. Sondheim, Alan. Individuals: Post-Movement Art in America. New York: E.P. Dutton and Co., 1977. Straus, Joseph Nathan. Remaking the past: musical modernism and the influence of the tonal tradition. Cambridge, Mass.: Harvard University Press, 1990. Strickland, Edward. Minimalism: Sources. Sussman, Harry. Afterimages of Modernity: structure and indifference in 20th Century literature. Baltimore: Johns Hopkins University Press, 1990. Taylor, Mark Klein. Remembering Esperanza: A Cultural-Political Theology for North American Praxis. Maryknoll, NY: Orbis Books, 1990. Trachtenberg, Stanley, ed. The Post-Modern Movement: A Handbook of Contemporary Innovation in the Arts. Westport, CT: Greenwood Press, 1985. Turner, Frederick. Rebirth of Value: meditations on beauty, ecology, religion and education. NY: State Univ. of New York Press, 1991. Wakefield, Neville. Postmodernism: the twilight of the real. London; Winchester, Mass.: Pluto Press, 1990. Wallis, Brian, ed. Blasted Allegories: Anthology of writings by contemporary artists. Cambridge, MA: MIT PRess, 1987. Wallis, Brian, ed. Rethinking Representation: Essays on Art and Art Criticism After Modernism. Boston: The New Museum of Contemporary Art in association with David R. Godine, 1984. White, Stephen K. Political Theory and Postmodernism. NY: Cambridge Univ. Press, 1991. Wiseman, Mary. The Ecstasies of Roland Barthes. London: Routledge, 1989. Wurzer, Wilhelm S. Filming and Judgment: between Heidegger and Adorno. Atlantic Highlands, N.J.: Humanities Press International, 1990. Wyschogrod, Edith. Saints and Postmodernism: Revisioning Moral Philosophy. Chicago: UC Press, 1990. Zimmerman, Walter. Desert Plants: Conversations with Composers. Canada: Aesthetic Research Centre. 4/95