Ellie and Nefertiti - A Collage of Overlapping Energies



Nefertiti - A Collage of Overlapping Egyptian Energies For Me




Today, June 19, 2001, I posted an article on Ezine about Nefertiti - the wife of Pharaoh Akhnaton. The article appeared in Discovery News.com. On June 21, 2001 energies - New Moon in Cancer - Solar Eclipse - Summer Solstice - planting new - a time when I was guided to open the gates that separate the grids programs.


Detective Work Finds Egyptian Queen

Nefertiti, the most famous queen of ancient Egypt except for Cleopatra, was 4 foot 8 inches (1.45 meters) tall, had long luxurious wavy hair, a hyperelongated neck and fine features that matched her legendary beauty.

The portrait emerged with the claim of Susan James, an Egyptologist trained at Cambridge, U.K., appearing in the current issue of KMT, A Modern Journal of Ancient Egypt.

Little is known about the "Great Royal Wife" of the heretic pharaoh Akhenaten, the immediate precursor — and, according to some scholars, the father — of Tutankhamun. No record survives to detail her death; no monument mourned her passing.

According to James, the long-sought mummy of Nefertiti has rested disguised under the catalog name of "mummy 61070." The mummy, better known as "Elder Woman," was discovered in 1898 by French archaeologist Victor Loret in a cache of royal mummies.

The female body was lying on the floor of a side room off the pharaoh's burial chamber along with two other mummies, a boy and a girl, all uncoffined and unwrapped.

Hair analysis led scientist to identify it as Queen Tiye, Tutankhamun's probable grandmother. But there are some discrepancies. Historical data show that Queen Tiye would have been at least over 40 when she died, while a recent skeletal dental study of the Elder Woman showed her to have died around the age of 29, plus or minus five years.

On the basis of Nefertiti's disappearance from official imagery, the queen might have died around 1336 B.C. at the age of 28 or 29.

The mummy bears a striking resemblance to various portrait heads of Nefertiti including the celebrated limestone bust on display at the Egyptian Museum in Berlin.

The relative narrowness of the mummy's skull matches closely that of the famous bust. Moreover, the philtrum — the groove between nose and upper lip — is very pronounced on both the Elder Woman's mummy and the busts of Nefertiti, while it is barely noticeable on other Tiye's portraits, according to James.

"These are interesting similarities. It would be fascinating to reconstruct the mummy face with forensic techniques and then match it with Nefertiti's known portraits," says Francesco Mallegni, an anthropologist at Pisa University who has reconstructed dozens of famous historical faces.

But Egyptologist John Taylor of the British Museum is skeptical: "It is very dangerous to treat sculpted images as reliable evidence in a study such as this. Egyptian human images can range from the idealistic to the naturalistic, but to what extent naturalistic images are 'portraits' is a moot point."



This image accompanied the article.

When I saw it, the strangest sensation ignited in my soul.

It moved through my entire being in waves of energy.

Image of Ellie- 1989 - Automatic Art -
By artist Ken Warmsley

I touched the image on my screen and found back myself in that timeline.

Was it a past life? A link through grids and time? It didn't seem to matter.

I was there writing a long message and placing it in a cylinder.

It moved through time. My soul and I saw it in front of me.

I saw scrolls - flames - new creation and a message of change.

There were personal messages from me about one who traveled through light and time to join me now to complete that timeline. Interesting synchronicity - that person is in my life now went to egypt just after I read the article. We have seen each other in past lives in ancient Egypt - Pharaoh and wife. We actually see each other transform into those roles, as if shape shifting.

The same day I received a call from Sheena in Egypt. She will be in the US in July at which time we move forward with 'Sarah and Alexander'. Sheena plans to have part of the movie produced in Egypt as she works with studios there and has funding. Sheena is also part of the development of my project and plans to bring S & A to Egypt in 2002 for part of the production.

My life - parallel - past lives in Egypt are like a giant collage. All things are overlapping. I am in this timelines yet aspects of my soul are in that timeline - linking now with this one as if to complete something.

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