The Day After Christmas - Egyptian Connections

Something was stirring my soul . . . but what?

It all had to do with seeing the file on Rainbow Twins and the Great Pyramid as I looked out over the water in my friend's house.

What had I missed?

At 8 pm I lay down on the livingroom couch - the only light in the room created by the almost Full Moon and the Verrazano Bridge.

I did a conference call with Anna and Dianne L. in Ottawa. We spoke about my trip to Egypt and suddenly missing pieces of this puzzle began to fall into place.

I recalled the evnts of December 10, 2000 - the night EZ drove Irene and I to the airport in Luxor. We had made a powerful connection. We were in a van. The driver and his assistant were in the front. EZ and I were in the middle. Irene was just behind us.

I remember EZ taking my hand and staring into my eyes. I could see Z's soul. EZ told the driver to stop in front of the temple. EZ explained to me that my metaphysical beliefs were different than his religious upbringing but we were nevertheless connected. Suddenly he began to chant the tones of which filled my soul. The full moon energies - feminine energies of Luxor - Sekhmet - danced before us and he chanted in a very voice which seemed to permeate time and space. I knew something was being activated on some level. EZ, Irene and I were three souls who had come together for a purpose, though she and I didn't chant. Since that meeting EZ and I have not been in touch. We met - our souls connected for a purpose - then we moved on.

Next, my thoughts wandered to the events that followed on December 11th and 12th - [Please see the files on the trip].

There were many synchronicities - the night the pocketwatch disappeared and reappeared on 12/12 at 12:12 am - the lights in the pyramid shutting down just as Irene and I entered and needed private time.

And then last night . . . as I spoke to Anna and Dianne . . . something else dawned on me.

In the Great Pyramid on 12:12 at 12:12 pm I had chanted the tones mentioned in 'Sarah and Alexander' as I was guided. There is a connection between these sacred harmonics and my being there at that moment in time.

We were three of us in the King's Chamber that after noon on 12:12 - Irene, Fergany and I.

A single thought entered my mind last night with such a blast of energy all of our phone went dead for just a moment!

I have to wonder if all of what is being showed to me goes back to my time with Irene and EZ in Luxor and the 12:12 experiences in the Great Pyramid. Did we actually activate something as per some greater plan - that opened a doorway - stargate - which continued to ripple through the grids until exactly 9 months later when the Twin Towers - Twin Pyramids - fell? [9=endings for new beginnings] [9 months - full term gestation period for a human birth]. It all seems too much of a synchronicity with everything that I am experiencing now.

On that note I called Irene who I hadn't spoke with in several weeks. We spoke for some time and she did agree . . . that something happened for us in Egypt.

Email from Irene:

I cannot believe one year has passed since Ellie and I went to Egypt.

Usually time goes very quickly, but something has changed. Something has altered time. For me it feels much longer than one year, especially after the September 11th events.

Around the time of the first anniversary of our trip to Egypt - December 6 - 12th 2000, I had a feeling something was supposed to show up or happened related to our trip.

I had a bad migraine headache around that time during which I had a vision of the Great Pyramid.

A few days ago I found a small granite stone that I had picked up in an area not far from the Great Pyramid. (I know I was not supposed to take anything from that area, but the temptation was so strong, I could not resist).

For some reason the stone was lost and forgotten in my drawer for one year to be rediscovered now.

I had left it there right after the trip and forgot about it.

In December 2001 I decided to place the stone in my bedroom on my nightstand.

The first night I slept next to the stone I felt my presence in the King's Chamber. I also saw the Grand Gallery leading to the King's Chamber. I believe the stone carries the energy of the Great Pyramid. At least it does for me.

Then I felt kind of a let-down as nothing happened for the next few days. The time of the anniversary of the trip came and went.

Ellie and I exchanged e-mails on 12/12 and that was it.

Tonight on 12/26 Ellie called me with the theory that the September 11th events may link to our work in Egypt.

Anything is possible.

During our trip a lot of things happened. The details of the journey are on Ellie's file.

Here a few more things about the trip from my personal observations:

On the night of December 8 into the 9th 2000, when Ellie got the 24 hour stomach virus in Egypt, there was an unusually heavy rain, with high wind gusts and lightning over the Giza Pyramids/Plateau.

It is very unusual to have that kind of weather in that area.

I was wondering if our meditation in the King's Chamber on that day (12/8) changed something in the energy of the Pyramid that caused that storm.

I remember during the meditation Ellie kept telling me to open the Stargate while we were laying down on the floor, facing north her right hand and my left hand joined.

The storm resulted in a power outage in the Great Pyramid while Ellie and I were in Luxor.

As a result the Pyramid was closed to the public and few human energies were left within the Kings Chamber prior ot our work there on 12/12.

On 12/10 in the evening on the way to airport when EZ was chanting near Luxor Temple, Ellie again told me to open the Stargate.

On 12/12 at 12:12 pm we were supposed to have private time in the King's Chamber, but we were told it wasn't possible because the Great Pyramid had been closed for two days so now they were extending regular visit hours.

We were disappointed, but went ahead into the Kings' Chamber. They were only 6 tourists there at that time.

As soon as we stepped into the King's Chamber the power in the pyramid went off, scaring other people aware.

They used flashlights to get out . . . and we HAD our private time for about hour or more.

During that time Ellie was chanting using unusual sounds and phrases that she later said were sacred and came to her as she sat there.

The Pattern of Number 3:

We were supposed to travel with Anna. It would be three of us - me, Ellie and Anna - but Anna imjured her foot and never came with us.

But on the key times we were always three souls:

1. Me, Ellie, Fergany (2 times at the King's Chamber)

2. Me, Ellie, EZ (First there was a meditation with EZ in the lobby of the Luxor Hotel. The second meditation in the evening in the van outside the Luxor Temple)

3. Me, Ellie, and Sherif (Flying home).

When I traveled to Abydos and Dendera without Ellie, the three were me, Hassan, and Leslie (my tour guides).

Three is an important number.

Did we activate something in December 2000? When Ellie told me her theory, I felt a shiver in my body and a connection deep in my soul.

Sherif called to tell me that he kept thinking about me and the Great Pyramid throughout the day, though he didn't know why. He said he felt so compulsed about it, he had to look at a picture of the pyramid.

The synchronicities continue . . .




About Music Boxes

It would make sense that music (harmonics) would be linked with Time (clocks).

Myth has it that the first music box was designed for the amusement and entertainment of Marie Antoinette. History, on the other hand, reveals the availability of musical clocks constructed in the 16th century for royalty and the wealthy. The musical tones were derived by notching a revolving disc striking a single pin.

The music box proper was introduced by Antoine Favre, a Swiss watchmaker, in 1796, enabling the middle class to dance and enjoy the popular music of the period in the privacy of their homes. The latter half of the 19th century rewarded the world with the enchanting melodies of the disc player, the predecessor of the contemporary phonograph, tapes and discs. These instruments were not only produced in Europe, but had great success by American manufacturers.

The music box proper was introduced by Antoine Favre, a Swiss watchmaker, in 1796, enabling the middle class to dance and enjoy the popular music of the period in the privacy of their homes. The latter half of the 19th century rewarded the world with the enchanting melodies of the disc player, the predecessor of the contemporary phonograph, tapes and discs. These instruments were not only produced in Europe, but had great success by American manufacturers.

Today, Reuge of St. Croix, Switzerland, is the only musical element manufacturer of consequence in Europe. No musical movements are currently developed in the United States.

Prior to World War II, the Japanese, not to be outdone, had developed exquisite clocks enriched with intricate musicals of their own design.

In 1947, Rokuichi Yamada founded Sankyo Manufacturing Company, and imitating the Swiss, became the most prominent supplier of musicals in the east, rivaling the sound and quality of the best in Switzerland.

  • The Music Box Museum

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